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| A06789 | Pages: 250 | Aug 2020 | 2712 Views | | |
| Author(s) : Himanshu Vig , Roshan Deshmukh | Tables: 111 | Charts: 33 |
| |
Pandemic disrupted the entire world and affected many industries.
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Request Now !The motion picture industry size was valued at $ 42,213.0 million in 2019, and is expected to reach $ 43,960.9 million by 2027, registering a CAGR of 8.3% from 2021 to 2027. The adult segment led in terms of motion picture industry market share in 2019 and is expected to retain its dominance throughout the forecast period.
Global entertainment industry is growing steadily, with China, India and Southeast Asian countries outperforming the average growth. These countries are among the world’s youngest nations with more people under the age of 25. Rise in disposable incomes along with favorable demographics have resulted in increased propensity to spend on entertainment and leisure. With the expansion of theatres, markets in countries such as India, China, and other Southeast Asian nations are surging. Growing middle class population coupled with increasing per capita income, and working population are all together generating colossal domestic demand for leisure services including entertainment. Players operating in the region are rapidly diversifying their offerings beyond their traditional domains thus leveraging synergies and building presence across diversified segments of the entertainment industry. Globalization of the motion picture industry, along with emergence of multiple entertainment options supplemented by relative easy access to capital have been some of the key growth factors that are driving the global motion picture market across geographies.
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The film industry has always been driven by human inventiveness coupled with technological advancements. 3D films, VFX, Ultra HD 3D technology, autonomous drones have already revolutionized the motion picture industry. Virtual reality is the new technological advancement the film industry is leaping to. With the help of virtual reality film makers are now venturing to different genres, from 360º movies, to interactive narratives to animated movies. The VR in motion picture industry is still in its nascent stage; however, the technology has potential to be accepted by masses and transform the film viewing experience.
However, the industry faces a major challenge of piracy. According to the new study from the U.S. Chamber of Commerce's Global Innovation Policy Center “global online piracy costs the U.S. economy at least $29.2 billion in lost revenue each year. Digital video piracy results in significant losses to the U.S. economy, harming businesses ranging from content production firms to the innovative technology companies that are driving the digital distribution revolution.” Digital piracy of films results in huge profit losses for the engaged stakeholders. Piracy processes a much greater risks to the film industry. Though there are laws and safeguard techniques such as digital watermarks to prevent piracy of content; however, high penetration of file-sharing technologies such as BitTorrent software have resulted in increased financial pressure on the movie industry.
The motion picture industry is segmented into genre, demographics, dimension and region. By genre, the global market is classified into action, comedy, drama, fantasy, horror, romance, and others. By demographics, it is bifurcated into children and adult. By dimension, the market is divided into 3D & above and 2D. By region, the market is analyzed across North America, Europe, Asia-Pacific, and LAMEA.
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By genre, the global market is classified into action, comedy, drama, fantasy, horror, romance, and others. The fantasy segment accounts for the major motion picture industry share; however, the action segment is poised to grow with the highest CAGR during the analysis period.
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By demographics, the global motion picture industry is bifurcated into adult and children. The adult segment leads in terms of market share; however, the children segment is expected to gain market share in the upcoming years. The adult segment of the report covers the expenditure by the consumer who are above 18 years of age. The adult segment prefers genres such as horror, thriller, romance, auto biographies, and others. Furthermore, in-theatre dining has been increasingly trending amongst the adult segment of the industry.
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By dimension, the motion picture industry is divided into 3D & above and 2D. The 2D format of the motion picture industry leads in terms of market share; however, the 3D & above is expected to grow with higher CAGR during the forecast period. 3D animation differs significantly from 2D, both in terms of the process used to create it but the end result as well. 3D animation produces a more realistic character that is represented in all three dimensions (height, width and depth).
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The report focuses on the motion picture industry growth prospects, restraints, and opportunities of the global market. The study provides Porter’s five forces analysis to understand the impact of various factors such as competitive intensity of competitors, bargaining power of suppliers, threat of substitutes, threat of new entrants, and bargaining power of buyers of the motion picture industry.
Some of the key players profiled in the motion picture industry analysis included are Warner Bros., Sony Pictures Motion Picture Group, Walt Disney Studios, Universal Pictures, 20th Century Fox, Paramount Pictures, Lionsgate Films, The Weinstein Company, Metro-Goldwyn-Mayer Studios, and DreamWorks Pictures.
Key Benefits For Stakeholders
Motion Picture Industry Segments
By Genre
By Demographics
By Dimension
By Region
CHAPTER 1: INTRODUCTION
1.1.REPORT DESCRIPTION
1.2.KEY MARKET SEGMENTS
1.3.KEY BENEFITS
1.4.RESEARCH METHODOLOGY
1.4.1.Primary research
1.4.2.Secondary research
1.4.3.Analyst tools and models
CHAPTER 2: EXECUTIVE SUMMARY
2.1.CXO PERSPECTIVE
CHAPTER 3: MARKET LANDSCAPE
3.1.MARKET DEFINITION AND SCOPE
3.2.KEY FINDINGS
3.2.1.Top investment pockets
3.2.2.Top winning strategies
3.3.PORTER'S FIVE FORCES ANALYSIS
3.3.1.Bargaining power of suppliers
3.3.2.Threat of new entrants
3.3.3.Threat of substitutes
3.3.4.Competitive rivalry
3.3.5.Bargaining power among buyers
3.4.MARKET SHARE ANALYSIS/TOP PLAYER POSITIONING 2019
3.5.MARKET DYNAMICS
3.5.1.Drivers
3.5.2.Restraints
3.5.3.Opportunities
CHAPTER 4: MOTION PICTURE INDUSTRY BY GENRE
4.1.OVERVIEW
4.2.ACTION
4.2.1.Key market trends, growth factors and opportunities
4.2.2.Market size and forecast, by region
4.2.3.Market share analysis, by country
4.3.COMEDY
4.3.1.Key market trends, growth factors and opportunities
4.3.2.Market size and forecast, by region
4.3.3.Market share analysis, by country
4.4.DRAMA
4.4.1.Key market trends, growth factors and opportunities
4.4.2.Market size and forecast, by region
4.4.3.Market share analysis, by country
4.5.FANTASY
4.5.1.Key market trends, growth factors and opportunities
4.5.2.Market size and forecast, by region
4.5.3.Market share analysis, by country
4.6.HORROR
4.6.1.Key market trends, growth factors and opportunities
4.6.2.Market size and forecast, by region
4.6.3.Market share analysis, by country
4.7.ROMANCE
4.7.1.Key market trends, growth factors and opportunities
4.7.2.Market size and forecast, by region
4.7.3.Market share analysis, by country
4.8.OTHERS
4.8.1.Key market trends, growth factors and opportunities
4.8.2.Market size and forecast, by region
4.8.3.Market share analysis, by country
CHAPTER 5: MOTION PICTURE INDUSTRY BY DEMOGRAPHICS
5.1.OVERVIEW
5.2.CHILDREN
5.2.1.Key market trends, growth factors and opportunities
5.2.2.Market size and forecast, by region
5.2.3.Market share analysis, by country
5.3.ADULT
5.3.1.Key market trends, growth factors and opportunities
5.3.2.Market size and forecast, by region
5.3.3.Market share analysis, by country
CHAPTER 6: MOTION PICTURE INDUSTRY BY DIMENSION
6.1.OVERVIEW
6.2.3D AND ABOVE
6.2.1.Key market trends, growth factors and opportunities
6.2.2.Market size and forecast, by region
6.2.3.Market share analysis, by country
6.3.2D
6.3.1.Key market trends, growth factors and opportunities
6.3.2.Market size and forecast, by region
6.3.3.Market share analysis, by country
CHAPTER 7: MOTION PICTURE INDUSTRY BY REGION
7.1.OVERVIEW
7.2.NORTH AMERICA
7.2.1.Key market trends and opportunities
7.2.2.Market size and forecast, by genre
7.2.3.Market size and forecast, by demographics
7.2.4.Market size and forecast, by dimension
7.2.5.Market size and forecast, by Country
7.2.6.U.S.
7.2.6.1.Market size and forecast, by genre
7.2.6.2.Market size and forecast, by demographics
7.2.6.3.Market size and forecast, by dimension
7.2.7.Canada
7.2.7.1.Market size and forecast, by genre
7.2.7.2.Market size and forecast, by demographics
7.2.7.3.Market size and forecast, by dimension
7.2.8.Mexico
7.2.8.1.Market size and forecast, by genre
7.2.8.2.Market size and forecast, by demographics
7.2.8.3.Market size and forecast, by dimension
7.3.EUROPE
7.3.1.Key market trends and opportunities
7.3.2.Market size and forecast, by genre
7.3.3.Market size and forecast, by demographics
7.3.4.Market size and forecast, by dimension
7.3.5.Market size and forecast, by Country
7.3.6.UK
7.3.6.1.Market size and forecast, by genre
7.3.6.2.Market size and forecast, by demographics
7.3.6.3.Market size and forecast, by dimension
7.3.7.Germany
7.3.7.1.Market size and forecast, by genre
7.3.7.2.Market size and forecast, by demographics
7.3.7.3.Market size and forecast, by dimension
7.3.8.France
7.3.8.1.Market size and forecast, by genre
7.3.8.2.Market size and forecast, by demographics
7.3.8.3.Market size and forecast, by dimension
7.3.9.Italy
7.3.9.1.Market size and forecast, by genre
7.3.9.2.Market size and forecast, by demographics
7.3.9.3.Market size and forecast, by dimension
7.3.10.Spain
7.3.10.1.Market size and forecast, by genre
7.3.10.2.Market size and forecast, by demographics
7.3.10.3.Market size and forecast, by dimension
7.3.11.Rest of Europe
7.3.11.1.Market size and forecast, by genre
7.3.11.2.Market size and forecast, by demographics
7.3.11.3.Market size and forecast, by dimension
7.4.ASIA PACIFIC
7.4.1.Key market trends and opportunities
7.4.2.Market size and forecast, by genre
7.4.3.Market size and forecast, by demographics
7.4.4.Market size and forecast, by dimension
7.4.5.Market size and forecast, by Country
7.4.6.China
7.4.6.1.Market size and forecast, by genre
7.4.6.2.Market size and forecast, by demographics
7.4.6.3.Market size and forecast, by dimension
7.4.7.India
7.4.7.1.Market size and forecast, by genre
7.4.7.2.Market size and forecast, by demographics
7.4.7.3.Market size and forecast, by dimension
7.4.8.Japan
7.4.8.1.Market size and forecast, by genre
7.4.8.2.Market size and forecast, by demographics
7.4.8.3.Market size and forecast, by dimension
7.4.9.ASEAN
7.4.9.1.Market size and forecast, by genre
7.4.9.2.Market size and forecast, by demographics
7.4.9.3.Market size and forecast, by dimension
7.4.10.South Korea
7.4.10.1.Market size and forecast, by genre
7.4.10.2.Market size and forecast, by demographics
7.4.10.3.Market size and forecast, by dimension
7.4.11.Rest of Asia-Pacific
7.4.11.1.Market size and forecast, by genre
7.4.11.2.Market size and forecast, by demographics
7.4.11.3.Market size and forecast, by dimension
7.5.LAMEA
7.5.1.Key market trends and opportunities
7.5.2.Market size and forecast, by genre
7.5.3.Market size and forecast, by demographics
7.5.4.Market size and forecast, by dimension
7.5.5.Market size and forecast, by Country
7.5.6.Latin America
7.5.6.1.Market size and forecast, by genre
7.5.6.2.Market size and forecast, by demographics
7.5.6.3.Market size and forecast, by dimension
7.5.7.Middle East
7.5.7.1.Market size and forecast, by genre
7.5.7.2.Market size and forecast, by demographics
7.5.7.3.Market size and forecast, by dimension
7.5.8.Africa
7.5.8.1.Market size and forecast, by genre
7.5.8.2.Market size and forecast, by demographics
7.5.8.3.Market size and forecast, by dimension
CHAPTER 8: COMPANY PROFILES
8.1.WARNER BROS
8.1.1.Company overview
8.1.2.Key Executives
8.1.3.Company snapshot
8.1.4.Operating business segments
8.1.5.Product portfolio
8.1.6.Business performance
8.1.7.Key strategic moves and developments
8.2.SONY PICTURES MOTION PICTURE GROUP
8.2.1.Company overview
8.2.2.Key Executives
8.2.3.Company snapshot
8.2.4.Operating business segments
8.2.5.Product portfolio
8.2.6.Business performance
8.2.7.Key strategic moves and developments
8.3.WALT DISNEY STUDIOS
8.3.1.Company overview
8.3.2.Key Executives
8.3.3.Company snapshot
8.3.4.Operating business segments
8.3.5.Product portfolio
8.3.6.Business performance
8.3.7.Key strategic moves and developments
8.4.UNIVERSAL PICTURES
8.4.1.Company overview
8.4.2.Key Executives
8.4.3.Company snapshot
8.4.4.Operating business segments
8.4.5.Product portfolio
8.4.6.Business performance
8.4.7.Key strategic moves and developments
8.5.20TH CENTURY FOX
8.5.1.Company overview
8.5.2.Key Executives
8.5.3.Company snapshot
8.5.4.Operating business segments
8.5.5.Product portfolio
8.5.6.Business performance
8.5.7.Key strategic moves and developments
8.6.PARAMOUNT PICTURES
8.6.1.Company overview
8.6.2.Key Executives
8.6.3.Company snapshot
8.6.4.Operating business segments
8.6.5.Product portfolio
8.6.6.Business performance
8.6.7.Key strategic moves and developments
8.7.LIONSGATE FILMS
8.7.1.Company overview
8.7.2.Key Executives
8.7.3.Company snapshot
8.7.4.Operating business segments
8.7.5.Product portfolio
8.7.6.Business performance
8.7.7.Key strategic moves and developments
8.8.THE WEINSTEIN COMPANY
8.8.1.Company overview
8.8.2.Key Executives
8.8.3.Company snapshot
8.8.4.Operating business segments
8.8.5.Product portfolio
8.8.6.Business performance
8.8.7.Key strategic moves and developments
8.9.METRO-GOLDWYN-MAYER STUDIOS
8.9.1.Company overview
8.9.2.Key Executives
8.9.3.Company snapshot
8.9.4.Operating business segments
8.9.5.Product portfolio
8.9.6.Business performance
8.9.7.Key strategic moves and developments
8.10.DREAMWORKS PICTURES
8.10.1.Company overview
8.10.2.Key Executives
8.10.3.Company snapshot
8.10.4.Operating business segments
8.10.5.Product portfolio
8.10.6.Business performance
8.10.7.Key strategic moves and developments
LIST OF TABLES
TABLE 1. GLOBAL MOTION PICTURE INDUSTRY, BY GENRE 2019-2027 ($MILLION)
TABLE 2. MOTION PICTURE INDUSTRY FOR ACTION, BY REGION, 2019-2027 ($MILLION)
TABLE 3. MOTION PICTURE INDUSTRY FOR COMEDY, BY REGION, 2019-2027 ($MILLION)
TABLE 4. MOTION PICTURE INDUSTRY FOR DRAMA, BY REGION, 2019-2027 ($MILLION)
TABLE 5. MOTION PICTURE INDUSTRY FOR FANTASY, BY REGION, 2019-2027 ($MILLION)
TABLE 6. MOTION PICTURE INDUSTRY FOR HORROR, BY REGION, 2019-2027 ($MILLION)
TABLE 7. MOTION PICTURE INDUSTRY FOR ROMANCE, BY REGION, 2019-2027 ($MILLION)
TABLE 8. MOTION PICTURE INDUSTRY FOR OTHERS, BY REGION, 2019-2027 ($MILLION)
TABLE 9. GLOBAL MOTION PICTURE INDUSTRY, BY DEMOGRAPHICS 2019-2027 ($MILLION)
TABLE 10. MOTION PICTURE INDUSTRY FOR CHILDREN, BY REGION, 2019-2027 ($MILLION)
TABLE 11. MOTION PICTURE INDUSTRY FOR ADULT, BY REGION, 2019-2027 ($MILLION)
TABLE 12. GLOBAL MOTION PICTURE INDUSTRY, BY DIMENSION 2019-2027 ($MILLION)
TABLE 13. MOTION PICTURE INDUSTRY FOR 3D AND ABOVE, BY REGION, 2019-2027 ($MILLION)
TABLE 14. MOTION PICTURE INDUSTRY FOR 2D, BY REGION, 2019-2027 ($MILLION)
TABLE 15. MOTION PICTURE INDUSTRY FOR , BY REGION, , 2019-2027 ($MILLION)
TABLE 16. NORTH AMERICA MOTION PICTURE INDUSTRY, BY GENRE 2019-2027 ($MILLION)
TABLE 17. NORTH AMERICA MOTION PICTURE INDUSTRY, BY DEMOGRAPHICS 2019-2027 ($MILLION)
TABLE 18. NORTH AMERICA MOTION PICTURE INDUSTRY, BY DIMENSION 2019-2027 ($MILLION)
TABLE 19. NORTH AMERICA MOTION PICTURE INDUSTRY, BY REGION, 2019-2027 ($MILLION)
TABLE 20. EUROPE MOTION PICTURE INDUSTRY, BY GENRE 2019-2027 ($MILLION)
TABLE 21. EUROPE MOTION PICTURE INDUSTRY, BY DEMOGRAPHICS 2019-2027 ($MILLION)
TABLE 22. EUROPE MOTION PICTURE INDUSTRY, BY DIMENSION 2019-2027 ($MILLION)
TABLE 23. EUROPE MOTION PICTURE INDUSTRY, BY REGION, 2019-2027 ($MILLION)
TABLE 24. ASIA PACIFIC MOTION PICTURE INDUSTRY, BY GENRE 2019-2027 ($MILLION)
TABLE 25. ASIA PACIFIC MOTION PICTURE INDUSTRY, BY DEMOGRAPHICS 2019-2027 ($MILLION)
TABLE 26. ASIA PACIFIC MOTION PICTURE INDUSTRY, BY DIMENSION 2019-2027 ($MILLION)
TABLE 27. ASIA PACIFIC MOTION PICTURE INDUSTRY, BY REGION, 2019-2027 ($MILLION)
TABLE 28. LAMEA MOTION PICTURE INDUSTRY, BY GENRE 2019-2027 ($MILLION)
TABLE 29. LAMEA MOTION PICTURE INDUSTRY, BY DEMOGRAPHICS 2019-2027 ($MILLION)
TABLE 30. LAMEA MOTION PICTURE INDUSTRY, BY DIMENSION 2019-2027 ($MILLION)
TABLE 31. LAMEA MOTION PICTURE INDUSTRY, BY REGION, 2019-2027 ($MILLION)
TABLE 32. WARNER BROS: COMPANY SNAPSHOT
TABLE 33. WARNER BROS: OPERATING SEGMENTS
TABLE 34. SONY PICTURES MOTION PICTURE GROUP: COMPANY SNAPSHOT
TABLE 35. SONY PICTURES MOTION PICTURE GROUP: OPERATING SEGMENTS
TABLE 36. WALT DISNEY STUDIOS: COMPANY SNAPSHOT
TABLE 37. WALT DISNEY STUDIOS: OPERATING SEGMENTS
TABLE 38. UNIVERSAL PICTURES: COMPANY SNAPSHOT
TABLE 39. UNIVERSAL PICTURES: OPERATING SEGMENTS
TABLE 40. 20TH CENTURY FOX: COMPANY SNAPSHOT
TABLE 41. 20TH CENTURY FOX: OPERATING SEGMENTS
TABLE 42. PARAMOUNT PICTURES: COMPANY SNAPSHOT
TABLE 43. PARAMOUNT PICTURES: OPERATING SEGMENTS
TABLE 44. LIONSGATE FILMS: COMPANY SNAPSHOT
TABLE 45. LIONSGATE FILMS: OPERATING SEGMENTS
TABLE 46. THE WEINSTEIN COMPANY: COMPANY SNAPSHOT
TABLE 47. THE WEINSTEIN COMPANY: OPERATING SEGMENTS
TABLE 48. METRO-GOLDWYN-MAYER STUDIOS: COMPANY SNAPSHOT
TABLE 49. METRO-GOLDWYN-MAYER STUDIOS: OPERATING SEGMENTS
TABLE 50. DREAMWORKS PICTURES: COMPANY SNAPSHOT
TABLE 51. DREAMWORKS PICTURES: OPERATING SEGMENTS
LIST OF FIGURES
FIGURE 1. GLOBAL MOTION PICTURE INDUSTRY SEGMENTATION
FIGURE 2. TOP INVESTMENT POCKET
FIGURE 3. TOP WINNING STRATEGIES (%)
FIGURE 4. MOTION PICTURE INDUSTRY FOR ACTION, 2019-2027 ($MILLION)
FIGURE 5. MOTION PICTURE INDUSTRY FOR COMEDY, 2019-2027 ($MILLION)
FIGURE 6. MOTION PICTURE INDUSTRY FOR DRAMA, 2019-2027 ($MILLION)
FIGURE 7. MOTION PICTURE INDUSTRY FOR FANTASY, 2019-2027 ($MILLION)
FIGURE 8. MOTION PICTURE INDUSTRY FOR HORROR, 2019-2027 ($MILLION)
FIGURE 9. MOTION PICTURE INDUSTRY FOR ROMANCE, 2019-2027 ($MILLION)
FIGURE 10. MOTION PICTURE INDUSTRY FOR OTHERS, 2019-2027 ($MILLION)
FIGURE 11. MOTION PICTURE INDUSTRY FOR CHILDREN, 2019-2027 ($MILLION)
FIGURE 12. MOTION PICTURE INDUSTRY FOR ADULT, 2019-2027 ($MILLION)
FIGURE 13. MOTION PICTURE INDUSTRY FOR 3D AND ABOVE, 2019-2027 ($MILLION)
FIGURE 14. MOTION PICTURE INDUSTRY FOR 2D, 2019-2027 ($MILLION)
FIGURE 15. GLOBAL MOTION PICTURE INDUSTRY, BY REGION, 2019 (%)
FIGURE 16. U.S. MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 17. CANADA MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 18. MEXICO MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 19. UK MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 20. GERMANY MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 21. FRANCE MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 22. ITALY MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 23. SPAIN MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 24. REST OF EUROPE MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 25. CHINA MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 26. INDIA MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 27. JAPAN MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 28. ASEAN MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 29. SOUTH KOREA MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 30. REST OF ASIA-PACIFIC MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 31. LATIN AMERICA MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 32. MIDDLE EAST MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
FIGURE 33. AFRICA MOTION PICTURE INDUSTRY, 2019-2027 ($MILLION)
The widespread lockdown and stringent regulations across the nations have caused perilous impact on the motion picture industry. The industry has seen colossal losses owing to cancellations and postponements of film screenings, productions and promotions due to physical distancing measures and travel restrictions. However, the film industry is expected to rebound with easing of restrictions across the world. Productions of films are now taking place with new COVID-19 protocols in place, including personal protective equipment for the crew, physical distancing on sets. The government across countries are providing financial assistance to the industry, however restoring consumer confidence in watching films at theatres remains a major challenge for the engaged players. The film industry has been reshaped during the pandemic with the emergence of the OTT service providers. Enriched experience combining quality content with new technology will provide cutting edge to the highly competitive film industry.
A. The motion picture industry size was valued at $ 42,213.0 million in 2019.
A. The forecast period in the report is from 2021 to 2027.
A. The motion picture industry size is expected to reach $ 43,960.9 million by the end of 2027.
A. The base year used for calculation in the motion picture industry report is 2019.
A. Some of the leading players in the motion picture industry are Warner Bros., Sony Pictures Motion Picture Group, Walt Disney Studios, Universal Pictures, Paramount Pictures, Lionsgate Films and The Weinstein Company.
A. The 3D and above segment is the most influential segment in the motion picture industry.
A. VFX, Ultra HD 3D technology, usage of autonomous drones are the latest trends in the motion picture industry.
A. Emerging countries such as India and Spain is likely to grow with a CAGR of 11% and 9.9% respectively.
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