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2022
Music Distribution Services Market

Music Distribution Services Market by Type (Artist-to-fan and Distributor-to-digital Retailers), Deployment Mode (On-premise and Cloud), End User (Independent Music Producers and Record Companies): Global Opportunity Analysis and Industry Forecast, 2021-2030

A08884
Pages: 219
Jan 2022 | 1479 Views
   
Author(s) : Rachita Rake & Shreyas Wadodkar , Rachita Rake
Tables: 108
Charts: 52
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COVID-19

Pandemic disrupted the entire world and affected many industries.

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The global music distribution services market size was valued at $911.87 million in 2020, and is projected to reach at $1683.08 million by 2030, growing at a CAGR of 6.2% from 2020 to 2030.

The music industry has been hit hard by pandemic with sudden decline in live performance revenues. However, the music distribution service industry is integrating new ways to monetize music consumption and innovative models to tackle negative impact of the pandemic. For instance, the trend of online music distribution services during COVID-19 pandemic is anticipated to create lucrative growth opportunities for the market.

Music distribution is the process of making recorded music accessible to the general public in both physical and digital formats. Distribution was traditionally done through record companies and the deals it strikes with various genres outlets. Although the digital revolution has drastically altered this approach, distributors continue to play an important role in making music available to the public in downloaded and streaming formats. However, it can be difficult, some musicians have succeeded in controlling of their own music distribution. Furthermore, more musicians discover new ways to release their music independently, which would provide the numerous opportunities for the market growth in the upcoming year.

Music-Distribution-Service-Market,-2021-2030

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On the basis of end user, the record companies segment dominated the overall music distribution service industry in 2020, and is expected to continue this trend throughout the forecast period. This is attributed to increase in the adoption of music distribution service by procedure to gain strategic and a competitive advantage over their competitors. Customers uses music distribution service to discover new insights on record company’s diverse data, including historical and recent data. This technology is suitable for running algorithms and analysis across a large set of data to find relevant relationships, entities, and insights.

Furthermore, music distribution service continues to become mainstream, as more record companies are considering the extraction capabilities for getting valuable insights from big data, which is opportunistic for the music distribution services market growth. However, the independent music producer segment is expected to grow the most, and this trend is expected to continue during the forecast period. The independent music producer are shifting their focus to a digital platform by using online music distribution service solutions for a number of uses, and it is helping them to become more productive, smarter, and efficient.

Depending on the deployment model, the on-premise segment captured the largest share in 2020, and is expected to continue this trend during the forecast period. This is attributed to numerous advantages offered by this on-premise deployment such as a high level of data security and safety. However, the cloud segment is expected to witness the highest growth in the upcoming years, due to the fact that cloud deployment requires no investment in IT infrastructure, as all data is stored on cloud server, which increases the demand for music distribution service software in small- & medium-scale organizations. 

The report focuses on the growth prospects, restraints, and music distribution services market analysis. The study uses Porter’s five forces analysis of the music distribution service industry to understand the impact of various factors such as bargaining power of suppliers, competitive intensity of competitors, the threat of new entrants, the threat of substitutes, and bargaining power of buyers on the music distribution services market trends.

Segment Review

The global music distribution service industry  is segmented into type, deployment mode, end user, and region. By type, the market is bifurcated into artist-to-fan and distributor to digital retailers. Depending on deployment, it is segregated into on-premise and cloud. On the basis of end user, it is fragmented into record companies and independent music producer.. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA

Impact of COVID-19 on the Music Distribution Services Market.

On the basis of music distribution services market forecast market was valued at $975.88 million in 2021, and is projected to reach $1683.08 million by 2030, growing at a CAGR of 6.2% from 2020 to 2030. The global COVID-19 pandemic has drastically affected businesses across the world. The music industry has been hit hard by coronavirus with live performance revenue the biggest casualty. A six-month shutdown is estimated to cost the industry more than $10 billion in sponsorships, with longer delays being even more devastating. The music distribution service industry is fighting back with new ways to monetize music consumption and innovative models. The crisis is likely to accelerate underlying trends in the music industry, based on the importance of streaming, which has grown from 9% to 47% of total industry revenues in just six years. It has affected positively on the adoption of online music distribution service due to lockdown imposed by governments of different countries. On the distribution side, there is a growing list of artists delaying releases to later in the year. In part this is due to the inability to use tours to promote new albums, and live music in general has been dramatically affected. An extensive list of major concerts and events have been cancelled. During COVID-19 pandemic streaming and distribution platforms have witnessed increased social engagement, subscriptions, and artist activity through their COVID-19 innovations. This factor will boosts the music distribution services market.

Music Distribution Services Market
By Type

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Artist-To-Fan segment is projected as one of the most lucrative segments.

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Top Impacting Factors    

Factors such as increase in the number of active music listeners around the globe and rise in demand for the adoption of cross-border and different varieties of music globally impact the growth of the music distribution services market. In addition, integration of virtual reality influences the market growth. Furthermore, the market growth is affected by data leakage and chances of piracy during online music distribution. However, each of these factors is anticipated to have a definite impact on the growth of the global music distribution services market during the forecast period. 

Music Distribution Services Market
By Deployment Mode

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Cloud segment is projected as one of the most lucrative segments.

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Rise in the number of active music listener around the globe

In Europe, people deliberately listen to about 18 hours of music per week. Owing to increase in penetration of internet and the mobility of access to music via portable devices, music has become a ubiquitous companion of many individuals, especially adolescents. The number of active music listeners has been constantly rising from past few years and also the latest advancements in social media increase the demand of verity of music. The digital medium has become an essential element of the music distributer for publishers, advertisers, and listeners alike. For instance, in April 2021, an estimated 68% of the U.S. population, which is aged more than 12 years, focused on listening songs on the basis of monthly subscription. The average time spent listening weekly is 16 hours and 14 minutes, a significant increase from 2020’s 15 hours and 12 minutes.

Music Distribution Services Market
By Region

2030
Asia-pacific 
North America
Europe
Lamea

Asia-Pacific is projected as one of the most significant region.

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Key Benefits For Stakeholders

  • The study provides an in-depth analysis of the music distribution services market share along with the current trends and future estimations to elucidate the imminent investment pockets.
  • Information about key drivers, restraints, and opportunities and their impact analysis on the music distribution services market size is provided.
  • The Porter’s five forces analysis illustrates the potency of buyers and suppliers operating in the music distribution services market.
  • The quantitative analysis of the music distribution services market share from 2020 to 2030 is provided to determine the music distribution services market potential.

Key Market Segments

  • Type
    • Artist-to-fan
    • Distributor-to-digital Retailers
  • Deployment Type
    • On-premise
    • Cloud
  • End User
    • Independent Music Producers
    • Record Companies
  • By Region
    • North America
      • U.S.
      • Canada
    • Europe
      • UK
      • Germany
      • France
      • Italy
      • Spain
      • Rest of Europe
    • Asia-Pacific
      • China
      • India
      • Japan
      • South Korea
      • Australia
      • Rest of Asia-Pacific
    • LAMEA
      • Latin America
      • Middle East
      • Africa
  • KEY MARKET PLAYERS PROFILED IN THE REPORT OF MUSIC DISTRIBUTION SERVICE
    • Amuse
    • Ditto Music
    • Horus Music
    • Kobalt Corp
    • LANDR Audio
    • RouteNote Inc
    • The Orchard (Sony)
    • Spotify
    • Symphonic Distribution
    • Tunecore
 

CHAPTER 1:INTRODUCTION

1.1.Report description
1.2.Key benefits for stakeholders
1.3.Key market segments
1.4.Research methodology

1.4.1.Secondary research
1.4.2.Primary research
1.4.3.Analyst tools & models

CHAPTER 2:EXECUTIVE SUMMARY

2.1.Key findings

2.1.1.Top impacting factors
2.1.2.Top investment pockets

2.2.CXO perspective

CHAPTER 3:MARKET OVERVIEW

3.1.Market definition and scope
3.2.Porter's five forces analysis
3.3.Impact of government regulations on global music distribution service  market
3.4.Market dynamics

3.4.1.Drivers

3.4.1.1.Rise in number of active music listener around the globe
3.4.1.2.Increase in interest international and different varieties of music

3.4.2.Restraint

3.4.2.1.Increase in risk of data leakage and music piracy concerns in online music distribution

3.4.3.Opportunities

3.4.3.1.Integration of virtual reality in the music distribution platform

3.1.COVID-19 impact analysis

3.1.1.Impact on market size
3.1.2.Consumer trends, preferences, and budget impact
3.1.3.Economic impact
3.1.4.Key player strategies to tackle negative impact
3.1.5.Opportunity window

CHAPTER 4:MUSIC DISTRIBUTION SERVICE  MARKET, BY TYPE

4.1.Overview
4.2.Artist-to-fan

4.2.1.Key market trends, growth factors, and opportunities
4.2.2.Market size and forecast, by region
4.2.3.Market analysis, by country

4.3.Distributor-to-digital retailers

4.3.1.Key market trends, growth factors, and opportunities
4.3.2.Market size and forecast, by region
4.3.3.Market analysis, by country

CHAPTER 5:MUSIC DISTRIBUTION SERVICE  MARKET, BY DEPLOYMENT MODEL

5.1.Overview
5.2.On-premise

5.2.1.Key market trends, growth factors, and opportunities
5.2.2.Market size and forecast, by region
5.2.3.Market analysis, by country

5.3.Cloud

5.3.1.Key market trends, growth factors, and opportunities
5.3.2.Market size and forecast, by region
5.3.3.Market analysis, by country

CHAPTER 6:MUSIC DISTRIBUTION SERVICE  MARKET, BY END USER

6.1.Overview
6.2.Independent music producers

6.2.1.Key market trends, growth factors, and opportunities
6.2.2.Market size and forecast, by region
6.2.3.Market analysis, by country

6.3.Record companies

6.3.1.Key market trends, growth factors, and opportunities
6.3.2.Market size and forecast, by region
6.3.3.Market analysis, by country

CHAPTER 7:MUSIC DISTRIBUTION SERVICE  MARKET, BY REGION

7.1.Overview
7.2.North America

7.2.1.Key market trends, growth factors and opportunities
7.2.2.Market size and forecast, by Type
7.2.3.Market size and forecast, by deployment mode
7.2.4.Market size and forecast, by End User
7.2.5.Market analysis, by country

7.2.5.1.U.S.

7.2.5.1.1.Market size and forecast, by Type
7.2.5.1.2.Market size and forecast, by deployment mode
7.2.5.1.3.Market size and forecast, by End User

7.2.5.2.Canada.

7.2.5.2.1.Market size and forecast, by Type
7.2.5.2.2.Market size and forecast, by deployment mode
7.2.5.2.3.Market size and forecast, by End User

7.3.Europe

7.3.1.Key market trends, growth factors and opportunities
7.3.2.Market size and forecast, by Type
7.3.3.Market size and forecast, by deployment mode
7.3.4.Market size and forecast, by End User
7.3.5.Market analysis, by country

7.3.5.1.UK

7.3.5.1.1.Market size and forecast, by Type
7.3.5.1.2.Market size and forecast, by deployment mode
7.3.5.1.3.Market size and forecast, by End User

7.3.5.2.GERMANY

7.3.5.2.1.Market size and forecast, by Type
7.3.5.2.2.Market size and forecast, by deployment mode
7.3.5.2.3.Market size and forecast, by End User

7.3.5.3.FRANCE

7.3.5.3.1.Market size and forecast, by Type
7.3.5.3.2.Market size and forecast, by deployment mode
7.3.5.3.3.Market size and forecast, by End User

7.3.5.4.ITALY

7.3.5.4.1.Market size and forecast, by Type
7.3.5.4.2.Market size and forecast, by deployment mode
7.3.5.4.3.Market size and forecast, by End User

7.3.5.5.NETHERLANDS

7.3.5.5.1.Market size and forecast, by Type
7.3.5.5.2.Market size and forecast, by deployment mode
7.3.5.5.3.Market size and forecast, by End User

7.3.5.6.REST OF EUROPE

7.3.5.6.1.Market size and forecast, by Type
7.3.5.6.2.Market size and forecast, by deployment mode
7.3.5.6.3.Market size and forecast, by End User

7.4.Asia-Pacific

7.4.1.Key market trends, growth factors and opportunities
7.4.2.Market size and forecast, by Type
7.4.3.Market size and forecast, by deployment mode
7.4.4.Market size and forecast, by End User
7.4.5.Market analysis, by country

7.4.5.1.CHINA

7.4.5.1.1.Market size and forecast, by Type
7.4.5.1.2.Market size and forecast, by deployment mode
7.4.5.1.3.Market size and forecast, by End User

7.4.5.2.INDIA

7.4.5.2.1.Market size and forecast, by Type
7.4.5.2.2.Market size and forecast, by deployment mode
7.4.5.2.3.Market size and forecast, by End User

7.4.5.3.JAPAN

7.4.5.3.1.Market size and forecast, by Type
7.4.5.3.2.Market size and forecast, by deployment mode
7.4.5.3.3.Market size and forecast, by End User

7.4.5.4.AUSTRALIA

7.4.5.4.1.Market size and forecast, by Type
7.4.5.4.2.Market size and forecast, by deployment mode
7.4.5.4.3.Market size and forecast, by End User

7.4.5.5.SOUTH KOREA

7.4.5.5.1.Market size and forecast, by Type
7.4.5.5.2.Market size and forecast, by deployment mode
7.4.5.5.3.Market size and forecast, by End User

7.4.5.6.REST OF ASIA-PACIFIC

7.4.5.6.1.Market size and forecast, by Type
7.4.5.6.2.Market size and forecast, by deployment mode
7.4.5.6.3.Market size and forecast, by End User

7.5.LAMEA

7.5.1.Key market trends, growth factors and opportunities
7.5.2.Market size and forecast, by Type
7.5.3.Market size and forecast, by deployment mode
7.5.4.Market size and forecast, by End  user
7.5.5.Market analysis, by country

7.5.5.1.LATIN AMERICA

7.5.5.1.1.Market size and forecast, by Type
7.5.5.1.2.Market size and forecast, by deployment mode
7.5.5.1.3.Market size and forecast, by End User

7.5.5.2.MIDDLE EAST

7.5.5.2.1.Market size and forecast, by Type
7.5.5.2.2.Market size and forecast, by deployment mode
7.5.5.2.3.Market size and forecast, by End User

7.5.5.3.AFRICA

7.5.5.3.1.Market size and forecast, by Type
7.5.5.3.2.Market size and forecast, by deployment mode
7.5.5.3.3.Market size and forecast, by End User

CHAPTER 8:COMPETITIVE LANDSCAPE

8.1.Key player positioning analysis, 2020
8.2.Top winning strategies
8.3.Competitive dashboard

CHAPTER 9:COMPANY PROFILE

9.1.Amuse

9.1.1.Company overview
9.1.2.Key executives
9.1.3.Company snapshot
9.1.4.Product portfolio
9.1.5.Key strategic moves and developments

9.2.Ditto Music

9.2.1.Company overview
9.2.2.Key executive
9.2.3.Company snapshot
9.2.4.Product portfolio
9.2.5.Key strategic moves and developments

9.3.Horus Music

9.3.1.Company overview
9.3.2.Key executives
9.3.3.Company snapshot
9.3.4.Product portfolio
9.3.5.Key strategic moves and developments

9.4.Kobalt Music Group

9.4.1.Company overview
9.4.2.Key executive
9.4.3.Company snapshot
9.4.4.Product portfolio
9.4.5.Key strategic moves and developments

9.5.LANDR Audio

9.5.1.Company overview
9.5.2.Key executives
9.5.3.Company snapshot
9.5.4.Product portfolio
9.5.5.Key strategic moves and developments

9.6.RouteNote Inc

9.6.1.Company overview
9.6.2.Key executives
9.6.3.Company snapshot
9.6.4.Product portfolio
9.6.5.Key strategic moves and developments

9.7.Loudr (Spotify)

9.7.1.Company overview
9.7.2.Key executives
9.7.3.Company snapshot
9.7.4.Product portfolio
9.7.5.R&D expenditure
9.7.6.Business performance
9.7.7.Key strategic moves and developments

9.8.Symphonic Distribution

9.8.1.Company overview
9.8.2.Key executive
9.8.3.Company snapshot
9.8.4.Product portfolio
9.8.5.Key strategic moves and developments

9.9.The Orchard (SONY)

9.9.1.Company overview
9.9.2.Key executives
9.9.3.Company snapshot
9.9.4.Operating business segments
9.9.5.Product portfolio
9.9.6.R&D expenditure
9.9.7.Business performance
9.9.8.Key strategic moves and developments

9.10.Tunecore

9.10.1.Company overview
9.10.2.Key executives
9.10.3.Company snapshot
9.10.4.Product portfolio
9.10.5.Key strategic moves and developments

 LIST OF TABLES

TABLE 01.GLOBAL MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 02.MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR ARTIST-TO-FAN, BY REGION, 2020–2030 ($MILLION)
TABLE 03.MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR DISTRIBUTOR TO DIGITAL RETAILERS, BY REGION, 2020–2030 ($MILLION)
TABLE 04.GLOBAL MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY DEPLOYMENT MODE, 2020-2030 ($MILLION)
TABLE 05.ON-PREMISE MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY REGION, 2020–2030 ($MILLION)
TABLE 06.MUSIC DISTRIBUTION SERVICE  MARKET REVENUE FOR CLOUD BASED DEPLOYMENT, BY REGION, 2020–2030 ($MILLION)
TABLE 07.GLOBAL MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY END USER, 2020-2030 ($MILLION)
TABLE 08.MUSIC DISTRIBUTION SERVICE  MARKET REVENUE FOR INDEPENDENT MUSIC PROCEDURE , BY REGION, 2020–2030 ($MILLION)
TABLE 09.MUSIC DISTRIBUTION SERVICE  MARKET REVENUE FOR RECORD COMPANIES, BY REGION, 2020–2030 ($MILLION)
TABLE 10.MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY REGION, 2020–2030 ($MILLION)
TABLE 11.NORTH AMERICA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 12.NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 13.NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 14.NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 15.U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 16.U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 17.U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 18.CANADA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 19.CANADA  MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 20.CANADA  MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 21.EUROPE MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 22.EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 23.EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 24.EUROPE MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 25.UK MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 26.UK MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 27.UK MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 28.GERMANY MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 29.GERMANY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 30.GERMANY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 31.FRANCE MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 32.FRANCE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 33.FRANCE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 34.ITALY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 35.ITALY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 36.ITALY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 37.NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 38.NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 39.NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 40.REST OF EUROPE MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 41.REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 42.REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 43.ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 44.ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 45.ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 46.ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 47.CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 48.CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 49.CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 50.INDIA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 51.INDIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 52.INDIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 53.JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 54.JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 55.JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 56.AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 57.AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 58.AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 59.SOUTH KOREA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 60.SOUTH KOREA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 61.SOUTH KOREA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 62.REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 63.REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 64.REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 65.LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 66.LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 67.LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 68.LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 69.LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 70.LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 71.LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 72.MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 73.MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 74.MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 75.AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 76.AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 77.AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 78.AMUSE: KEY EXECUTIVES
TABLE 79.AMUSE: COMPANY SNAPSHOT
TABLE 80.AMUSE: PRODUCT PORTFOLIO
TABLE 81.DITTO MUSIC: KEY EXECUTIVE
TABLE 82.AMAZON.COM, INC.: COMPANY SNAPSHOT
TABLE 83.DITTO MUSIC: PRODUCT PORTFOLIO
TABLE 84.HORUS MUSIC: KEY EXECUTIVES
TABLE 85.HORUS MUSIC: COMPANY SNAPSHOT
TABLE 86.HORUS MUSIC: PRODUCT PORTFOLIO
TABLE 87.KOBALT MUSIC GROUP: KEY EXECUTIVE
TABLE 88.KOBALT MUSIC GROUP: COMPANY SNAPSHOT
TABLE 89.KOBALT MUSIC GROUP: PRODUCT PORTFOLIO
TABLE 90.LANDR AUDIO: KEY EXECUTIVES
TABLE 91.LANDR AUDIO: COMPANY SNAPSHOT
TABLE 92.LANDR AUDIO: PRODUCT PORTFOLIO
TABLE 93.ROUTENOTE, INC.: KEY EXECUTIVES
TABLE 94.ROUTENOTE, INC.: COMPANY SNAPSHOT
TABLE 95.ROUTENOTE, INC.: PRODUCT PORTFOLIO
TABLE 96.SPOTIFY: KEY EXECUTIVES
TABLE 97.RAKUTEN, INC.: COMPANY SNAPSHOT
TABLE 98.SPOTIFY: PRODUCT PORTFOLIO
TABLE 99.SYMPHONIC DISTRIBUTION: KEY EXECUTIVE
TABLE 100.SYMPHONIC DISTRIBUTION: COMPANY SNAPSHOT
TABLE 101.SYMPHONIC DISTRIBUTION: PRODUCT PORTFOLIO
TABLE 102.SONY MUSIC: KEY EXECUTIVES
TABLE 103.SONY MUSIC: COMPANY SNAPSHOT
TABLE 104.SONY CORPORATION: OPERATING SEGMENTS
TABLE 105.SONY MUSIC: PRODUCT PORTFOLIO
TABLE 106.TUNECORE: KEY EXECUTIVES
TABLE 107.TUNECORE: COMPANY SNAPSHOT
TABLE 108.TUNECORE: PRODUCT PORTFOLIO

 LIST OF FIGURES

FIGURE 01.KEY MARKET SEGMENTS
FIGURE 02.GLOBAL MUSIC DISTRIBUTION SERVICE MARKET SNAPSHOT, BY SEGMENTATION, 2020–2030
FIGURE 03.MUSIC DISTRIBUTION SERVICE MARKET SNAPSHOT, BY REGION, 2020–2030
FIGURE 04.TOP IMPACTING FACTORS
FIGURE 05.TOP INVESTMENT POCKETS
FIGURE 06.MODERATE BARGAINING POWER OF SUPPLIERS
FIGURE 07.MODERATE-TO-HIGH BARGAINING POWER OF BUYERS
FIGURE 08.MODERATE-TO-HIGH THREAT OF SUBSTITUTES
FIGURE 09.MODERATE-TO-HIGHTHREAT OF NEW ENTRANTS
FIGURE 11.MODERATE COMPETITIVE RIVALRY
FIGURE 12.MARKET DYNAMICS
FIGURE 13.GLOBAL MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY TYPE, 2020–2030($MILLION)
FIGURE 14.COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR ARTIST-TO-FAN, BY COUNTRY, 2020 & 2030(%)
FIGURE 15.COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR DISTRIBUTOR TO DIGITAL RETAILERS, BY COUNTRY, 2020 & 2030(%)
FIGURE 16.GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
FIGURE 17.COMPARATIVE SHARE ANALYSIS OF ON-PREMISE MUSIC DISTRIBUTION SERVICE MARKET, BY COUNTRY, 2020 & 2030 (%)
FIGURE 18.COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR CLOUD DEPLOYMENT, BY COUNTRY, 2020 & 2030 (%)
FIGURE 19.GLOBAL MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
FIGURE 20.COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR INDEPENDENT MUSIC PROCEDURE, BY COUNTRY, 2020 & 2030 (%)
FIGURE 21.COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR RECORD COMPANIES, BY COUNTRY, 2020 & 2030 (%)
FIGURE 22.U.S. MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 23.CANADA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 24.UK MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 25.GERMANY MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 26.FRANCE MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 27.RUSSIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 28.NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 29.REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 30.CHINA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 31.INDIA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 32.JAPAN MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 33.AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 34.SOUTH KOREA MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 35.REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE  MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 36.LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 37.MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 38.AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 39.KEY PLAYER POSITIONING ANALYSIS: GLOBAL MUSIC DISTRIBUTION SERVICE  MARKET
FIGURE 40.TOP WINNING STRATEGIES, BY YEAR, 2018-2021
FIGURE 41.TOP WINNING STRATEGIES, BY DEVELOPMENT, 2018-2021
FIGURE 42.TOP WINNING STRATEGIES, BY COMPANY, 2018-2021
FIGURE 43.COMPETITIVE DASHBOARD
FIGURE 44.COMPETITIVE DASHBOARD
FIGURE 45.COMPETITIVE HEATMAP OF KEY PLAYERS
FIGURE 46.R&D EXPENDITURE, 2018-2020 ($MILLION)
FIGURE 47.SPOTIFY.: REVENUE, 2018–2020 ($MILLION)
FIGURE 48.SPOTIFY: REVENUE SHARE, BY REGION, 2020 (%)
FIGURE 49.R&D EXPENDITURE, 2018–2020 ($MILLION)
FIGURE 50.SONY CORPORATION: REVENUE, 2018–2020 ($MILLION)
FIGURE 51.SONY CORPORATION: REVENUE SHARE, BY SEGMENT, 2020 (%)
FIGURE 52.SONY CORPORATION: REVENUE SHARE BY REGION, 2020 (%)

 
 

According to insights of the CXOs, the music distribution industry is becoming increasingly crowded. Many companies offer diversified range of products, distribution methods, and pricing ranges. To attract new clients and establish new revenue streams, distributors have begun to expand into other services. As a result, numerous new distribution businesses have emerged, each comes with a unique approach to music distribution, would provide the lucrative opportunities for the market growth in the future. For instance, on February 2019, Amuse launched the “Fast Forward” app for the independent artists. Independent musicians can use the app to self-publish music for free on Apple Music, Spotify, YouTube, and other platforms. Fast Forward's debut coincides with a growing trend of artists questioning the legacy model of traditional record label partnerships, which typically transfer master rights for advances.

The CXOs further added that streaming services such as Spotify, iTunes, Apple Music, and others digital distribution services platforms have largely replaced traditional music consumption methods. In addition, labels and distributors are progressively requesting a greater range of services, with the goal of unifying and simplifying distribution, rights, and royalty accounting workflows to save time and eliminate errors.

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