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| Report Code: A11156 | May 2021 | Pages: 311 | ||
| Tables: 192 | Charts: 73 |
| |
Pandemic disrupted the entire world and affected many industries.
Get detailed COVID-19 impact analysis on the Online Music Streaming Market
Request Now !The global online music streaming market size was valued at $12,831.2 million in 2019, and is estimated to reach $24,711.3 million by 2027, registering a CAGR of 9.8% from 2021 to 2027.
Online music streaming is a way of delivering sound or music without the need of downloading files from the internet. Technically, the servers such as Spotify and Pandora send information (raw file) to the individual music streaming devices instantly after compressing the raw file.
The online music streaming has witnessed significant growth in the past few years due to surge in adoption of smart devices such as smartphones and rise in popularity of digital platforms such as Spotify, Amazon Music, and Deezer. Moreover, increase in penetration of internet across the globe is positively impacting the online music streaming market. In addition, online music streaming services allow users to stream online music videos, audio songs, podcasts, and live performances of artists. Online music streaming service providers further offer certain features such as customized playlists, song recommendations, and easy accessibility to music on both the app and browser platforms. Thus, upsurge in popularity of podcasts is attracting consumers’ attention lately, and is expected to further drive the global online music streaming market during the forecast period.
The global online music streaming market is expected to grow at a significant pace due to increase in preference of online music streaming among both consumers and music creators. Furthermore, the introduction of online music streaming platforms such as Spotify, Pandora, Tidal, Apple Music, and Amazon Music has drastically reduced the risk of music piracy activity over the internet. Moreover, various music labels such as Universal Music Publishing Group, Sony Music Entertainment, Warner Music Group, and Island Records are investing heavily in artists and repertoire to establish their significant presence globally. Thus, all these factors are responsible for propelling the growth of the global online music streaming market in the forthcoming years. Furthermore, the emergence of 5G, artificial intelligence, virtual reality, and machine learning are few other factors expected to boost the global online music streaming market growth.
The outbreak of COVID-19 pandemic is further acting as a key driving force of the global online music streaming market. This is attributed to the fact that government imposed stringent lockdown to contain the spread of the virus. Hence, people were forced to stay at home, which, in turn, increased adoption and usage of online music services across the globe. During the first phase of the pandemic, certain behavioral changes prevailed among consumers. According to the Tencent Music Entertainment, music streaming was majorly done using home appliances such as TV more than smartphones during the lockdown. Moreover, upsurge has been witnessed in the number of subscribers on various platforms such as Spotify, Tencent Music Entertainment, and Amazon Music. People in the U.S. were streaming more of video content rather than the audio content. Therefore, the pandemic resulted in an upsurge in the video segment. Hence, the COVID-19 had a positive impact on the growth of the global online music streaming market.
The global online music streaming market is segmented into service, revenue model, platform, end user, content type, and region. On the basis of service, the market is bifurcated into on-demand streaming and live streaming. By revenue model, it is segregated into subscription and non-subscription based model. On the basis of platform, it is segregated into app and browser. Depending on end user, it is fragmented into individual and commercial. As per content type, it is differentiated into audio and video content. Region wise, it is analyzed across North America (the U.S., Canada, and Mexico), Europe (the UK, Germany, France, the Netherlands, Italy, Spain, and rest of Europe), Asia-Pacific (China, Japan, India, South Korea, Australia, and rest of Asia-Pacific), and LAMEA (Latin America, the Middle East, and Africa).
According to the online music streaming market forecast, on the basis of service, the on-demand streaming segment was the highest contributor to the market, accounting for $9,003.7 million in 2019, and is expected to sustain its significance during the forecast period, due to ease and convenience of streaming music according to the users’ mood and time. Live online music streaming is showing substantial penetration due to increase in presence and activities of popular artists over the internet.
On the basis of the revenue model, the subscription model dominated the market in 2019, due to immense increase in the number of paid subscribers in the past few years. Moreover, most players in the global online music streaming market operate on the non-subscription or the freemium model majorly to attract huge customer base. Spotify, the leading player in the market, majorly focuses on the subscription model, whereas Pandora, one of the major players that focuses on the freemium model.
Depending on the platform, the app segment led the online music streaming market globally. This is attributed to the fact that app is the most convenient, easy, and popular platform for streaming online music due to the wide penetration of smartphones and internet across the globe. Furthermore, major market players are competing on the browser platform to gain maximum market share. For example, Apple, Inc. announced the launch of Apple Music player for web in 2020. Hence, browser is a lucrative segment for the market players.
As per end user, the individual segment exhibited the highest market share of 76.3% in 2019, as the emergence of online music streaming services has enabled users to access millions of songs easily. In addition, changes in lifestyle of individuals, which comprise listening to music during commuting, daily chores, and exercising, have led to the growth of the individual segment. However, the commercial segment is expected to grow at a promising rate due to the development of commercial complexes, restaurants, gyms, health clubs, and malls. All these commercial spaces use music streaming services to offer a pleasing ambience to their customers.
By content type, audio was the prominent segment, as users listen to music during daily chores, travelling, jogging, and exercising. In addition, busy and hectic lifestyle of consumers enable them to access audio content easily as compared to that of the video content, thus augmenting the growth of the audio segment. However, the growing popularity of over-the-top (OTT) and short video platforms is boosting the growth of the video segment.
According to the global online music streaming market analysis, in 2019, North America dominated the market, garnering around 38.1% online music streaming market share, followed by Europe. North America and Europe are characterized by high disposable income and elevated demand & consumption of music, thus making them lucrative markets for online music streaming. However, Asia-Pacific is expected to show promising growth rate due to surge in penetration of internet and increase in adoption of smartphones coupled with rise in the number of netizens. LAMEA is anticipated to exhibit fastest growth due to increase in demand for local and regional songs among consumers.
The players operating in the global online music streaming market have adopted various developmental strategies to expand their market share, exploit the online music streaming market opportunities, and increase profitability in the market. The key players profiled in this report include Amazon, Inc., Anghami, Apple, Inc., Deezer, iHeartRadio, NetEase, Inc., Pandora Media, LLC., Spotify AB, Tencent Music Entertainment, and Tidal.
Benefits For Stakeholders
Key Market Segments
By Service
By Revenue Model
By Platform
By End User
By Content Type
By Region
Online Music Streaming Market Report Highlights
| Aspects | Details |
|---|---|
| By SERVICE |
|
| By REVENUE MODEL |
|
| By PLATFORM |
|
| By END-USER |
|
| By CONTENT TYPE |
|
| By Region |
|
| Key Market Players | IHEARTRADIO, TIDAL, NETEASE, INC. (NETEASE CLOUD MUSIC), TENCENT MUSIC ENTERTAINMENT, SPOTIFY AB, ANGHAMI, APPLE, INC. (APPLE MUSIC), AMAZON, INC. (AMAZON MUSIC), PANDORA MEDIA, LLC., .DEEZER |
CHAPTER 1:INTRODUCTION
1.1.Report description
1.2.Key benefits for stakeholders
1.3.Key market segments
1.4.Research methodology
1.4.1.Secondary research
1.4.2.Primary research
1.4.3.Analyst tools and models
CHAPTER 2:EXECUTIVE SUMMARY
2.1.Snapshot
2.2.Key findings
2.2.1.Top investment pocket
2.3.CXO perspective
CHAPTER 3:MARKET OVERVIEW
3.1.Market definition and scope
3.2.Key forces shaping global online music streaming industry/market
3.2.1.Bargaining power of suppliers
3.2.2.Bargaining power of buyers
3.2.3.Thereat of new entrants
3.2.4.Threat of substitutes
3.2.5.Intensity of competitive rivalry
3.3.Market dynamics
3.3.1.Drivers
3.3.1.1.Growing penetration of smartphones, digital platforms, and smart devices
3.3.1.2.Growing fan base of popular artists enhances the revenue growth
3.3.1.3.Aggressive investment by record companies
3.3.2.Restraint
3.3.2.1.Copyright infringement is the major challenge
3.3.2.2.Threat of data privacy and security of databases are major concern
3.3.3.Opportunity
3.3.3.1.Introduction of 5G, artificial intelligence, and machine learning
3.3.3.2.Growing population of internet users in developing nations
3.4.COVID-19 Impact Analysis
3.5.Key Regulations
3.6.Parent-Peer Market Outlook
3.7.Case Study
CHAPTER 4:GLOBAL ONLINE MUSIC STREAMING MARKET, BY SERVICE
4.1.Overview
4.1.1.Market size and forecast
4.2.On-demand streaming
4.2.1.Key market trends, growth factors, and opportunities
4.2.2.Market size and forecast
4.2.3.Market analysis, by country
4.3.Live streaming
4.3.1.Key market trends, growth factors, and opportunities
4.3.2.Market size and forecast
4.3.3.Market analysis, by country
CHAPTER 5:GLOBAL ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL
5.1.Overview
5.1.1.Market size and forecast
5.2.Subscription
5.2.1.Key market trends, growth factors, and opportunities
5.2.2.Market size and forecast
5.2.3.Market analysis, by country
5.3.Non-subscription
5.3.1.Key market trends, growth factors, and opportunities
5.3.2.Market size and forecast
5.3.3.Market analysis, by country
CHAPTER 6:GLOBAL ONLINE MUSIC STREAMING MARKET, BY PLATFORM
6.1.Overview
6.1.1.Market size and forecast
6.2.App
6.2.1.Key market trends, growth factors, and opportunities
6.2.2.Market size and forecast
6.2.3.Market analysis, by country
6.3.Browser
6.3.1.Key market trends, growth factors, and opportunities
6.3.2.Market size and forecast
6.3.3.Market analysis, by country
CHAPTER 7:GLOBAL ONLINE MUSIC STREAMING MARKET, BY END-USER
7.1.Overview
7.1.1.Market size and forecast
7.2.Individual
7.2.1.Key market trends, growth factors, and opportunities
7.2.2.Market size and forecast
7.2.3.Market analysis, by country
7.3.Commercial
7.3.1.Key market trends, growth factors, and opportunities
7.3.2.Market size and forecast
7.3.3.Market analysis, by country
CHAPTER 8:GLOBAL ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE
8.1.Overview
8.1.1.Market size and forecast
8.2.Audio
8.2.1.Key market trends, growth factors, and opportunities
8.2.2.Market size and forecast
8.2.3.Market analysis, by country
8.3.Video
8.3.1.Key market trends, growth factors, and opportunities
8.3.2.Market size and forecast
8.3.3.Market analysis, by country
CHAPTER 9:ONLINE MUSIC STREAMING MARKET, BY REGION
9.1.Overview
9.1.1.Market size and forecast
9.2.North America
9.2.1.Key market trends, growth factors, and opportunities
9.2.2.Market size and forecast, by Service
9.2.3.Market size and forecast, by Revenue Model
9.2.4.Market size and forecast, by Platform
9.2.5.Market size and forecast, by End-user
9.2.6.Market size and forecast, by Content Type
9.2.7.Market size and forecast, by Country
9.2.7.1.U.S.
9.2.7.1.1.Market size and forecast, by service
9.2.7.1.2.Market size and forecast, by revenue model
9.2.7.1.3.Market size and forecast, by Platform
9.2.7.1.4.Market size and forecast, by End-user
9.2.7.1.5.Market size and forecast, by content type
9.2.7.2.CANADA
9.2.7.2.1.Market size and forecast, by service
9.2.7.2.2.Market size and forecast, by revenue model
9.2.7.2.3.Market size and forecast, by Platform
9.2.7.2.4.Market size and forecast, by End-user
9.2.7.2.5.Market size and forecast, by content type
9.2.7.3.MEXICO
9.2.7.3.1.Market size and forecast, by service
9.2.7.3.2.Market size and forecast, by revenue model
9.2.7.3.3.Market size and forecast, by Platform
9.2.7.3.4.Market size and forecast, by End-user
9.2.7.3.5.Market size and forecast, by content type
9.3.Europe
9.3.1.Key market trends, growth factors, and opportunities
9.3.2.Market size and forecast, by Service
9.3.3.Market size and forecast, by Revenue Model
9.3.4.Market size and forecast, by Platform
9.3.5.Market size and forecast, by End-user
9.3.6.Market size and forecast, by Content Type
9.3.7.Market size and forecast, by Country
9.3.7.1.UK
9.3.7.1.1.Market size and forecast, by service
9.3.7.1.2.Market size and forecast, by revenue model
9.3.7.1.3.Market size and forecast, by Platform
9.3.7.1.4.Market size and forecast, by End-user
9.3.7.1.5.Market size and forecast, by content type
9.3.7.2.GERMANY
9.3.7.2.1.Market size and forecast, by service
9.3.7.2.2.Market size and forecast, by revenue model
9.3.7.2.3.Market size and forecast, by Platform
9.3.7.2.4.Market size and forecast, by End-user
9.3.7.2.5.Market size and forecast, by content type
9.3.7.3.FRANCE
9.3.7.3.1.Market size and forecast, by service
9.3.7.3.2.Market size and forecast, by revenue model
9.3.7.3.3.Market size and forecast, by Platform
9.3.7.3.4.Market size and forecast, by End-user
9.3.7.3.5.Market size and forecast, by content type
9.3.7.4.NETHERLANDS
9.3.7.4.1.Market size and forecast, by service
9.3.7.4.2.Market size and forecast, by revenue model
9.3.7.4.3.Market size and forecast, by Platform
9.3.7.4.4.Market size and forecast, by End-user
9.3.7.4.5.Market size and forecast, by content type
9.3.7.5.ITALY
9.3.7.5.1.Market size and forecast, by service
9.3.7.5.2.Market size and forecast, by revenue model
9.3.7.5.3.Market size and forecast, by Platform
9.3.7.5.4.Market size and forecast, by End-user
9.3.7.5.5.Market size and forecast, by content type
9.3.7.6.SPAIN
9.3.7.6.1.Market size and forecast, by service
9.3.7.6.2.Market size and forecast, by revenue model
9.3.7.6.3.Market size and forecast, by Platform
9.3.7.6.4.Market size and forecast, by End-user
9.3.7.6.5.Market size and forecast, by content type
9.3.7.7.REST OF EUROPE
9.3.7.7.1.Market size and forecast, by service
9.3.7.7.2.Market size and forecast, by revenue model
9.3.7.7.3.Market size and forecast, by Platform
9.3.7.7.4.Market size and forecast, by End-user
9.3.7.7.5.Market size and forecast, by content type
9.4.Asia-Pacific
9.4.1.Key market trends, growth factors, and opportunities
9.4.2.Market size and forecast, by Service
9.4.3.Market size and forecast, by Revenue Model
9.4.4.Market size and forecast, by Platform
9.4.5.Market size and forecast, by End-user
9.4.6.Market size and forecast, by Content Type
9.4.7.Market size and forecast, by Country
9.4.7.1.CHINA
9.4.7.1.1.Market size and forecast, by service
9.4.7.1.2.Market size and forecast, by revenue model
9.4.7.1.3.Market size and forecast, by Platform
9.4.7.1.4.Market size and forecast, by End-user
9.4.7.1.5.Market size and forecast, by content type
9.4.7.2.JAPAN
9.4.7.2.1.Market size and forecast, by service
9.4.7.2.2.Market size and forecast, by revenue model
9.4.7.2.3.Market size and forecast, by Platform
9.4.7.2.4.Market size and forecast, by End-user
9.4.7.2.5.Market size and forecast, by content type
9.4.7.3.INDIA
9.4.7.3.1.Market size and forecast, by service
9.4.7.3.2.Market size and forecast, by revenue model
9.4.7.3.3.Market size and forecast, by Platform
9.4.7.3.4.Market size and forecast, by End-user
9.4.7.3.5.Market size and forecast, by content type
9.4.7.4.SOUTH KOREA
9.4.7.4.1.Market size and forecast, by service
9.4.7.4.2.Market size and forecast, by revenue model
9.4.7.4.3.Market size and forecast, by Platform
9.4.7.4.4.Market size and forecast, by End-user
9.4.7.4.5.Market size and forecast, by content type
9.4.7.5.AUSTRALIA
9.4.7.5.1.Market size and forecast, by service
9.4.7.5.2.Market size and forecast, by revenue model
9.4.7.5.3.Market size and forecast, by Platform
9.4.7.5.4.Market size and forecast, by End-user
9.4.7.5.5.Market size and forecast, by content type
9.4.7.6.REST OF ASIA-PACIFIC
9.4.7.6.1.Market size and forecast, by service
9.4.7.6.2.Market size and forecast, by revenue model
9.4.7.6.3.Market size and forecast, by Platform
9.4.7.6.4.Market size and forecast, by End-user
9.4.7.6.5.Market size and forecast, by content type
9.5.LAMEA
9.5.1.Key market trends, growth factors, and opportunities
9.5.2.Market size and forecast, by Service
9.5.3.Market size and forecast, by Revenue Model
9.5.4.Market size and forecast, by Platform
9.5.5.Market size and forecast, by End-user
9.5.6.Market size and forecast, by Content Type
9.5.7.Market size and forecast, by Country
9.5.7.1.LATIN AMERICA
9.5.7.1.1.Market size and forecast, by service
9.5.7.1.2.Market size and forecast, by revenue model
9.5.7.1.3.Market size and forecast, by Platform
9.5.7.1.4.Market size and forecast, by End-user
9.5.7.1.5.Market size and forecast, by content type
9.5.7.2.MIDDLE EAST
9.5.7.2.1.Market size and forecast, by service
9.5.7.2.2.Market size and forecast, by revenue model
9.5.7.2.3.Market size and forecast, by Platform
9.5.7.2.4.Market size and forecast, by End-user
9.5.7.2.5.Market size and forecast, by content type
9.5.7.3.AFRICA
9.5.7.3.1.Market size and forecast, by service
9.5.7.3.2.Market size and forecast, by revenue model
9.5.7.3.3.Market size and forecast, by Platform
9.5.7.3.4.Market size and forecast, by End-user
9.5.7.3.5.Market size and forecast, by content type
CHAPTER 10:COMPETITION LANDSCAPE
10.1.Top winning strategies
10.2.Product mapping
10.3.Competitive dashboard
10.4.Competitive heat map
10.5.Key developments
10.5.1.Acquisition
10.5.2.Business Expansion
10.5.3.Product Launch
CHAPTER 11:COMPANY PROFILES
11.1.AMAZON, INC. (AMAZON MUSIC)
11.1.1.Company overview
11.1.2.Key Executives
11.1.3.Company snapshot
11.1.4.Product portfolio
11.1.5.Business performance
11.1.6.Key strategic moves and developments
11.2.ANGHAMI
11.2.1.Company overview
11.2.2.Key Executives
11.2.3.Company snapshot
11.2.4.Product portfolio
11.2.5.Key strategic moves and developments
11.3.APPLE, INC. (APPLE MUSIC)
11.3.1.Company overview
11.3.2.Key Executives
11.3.3.Company snapshot
11.3.4.Operating business segments
11.3.5.Product portfolio
11.3.6.R&D Expenditure
11.3.7.Business performance
11.3.8.Key strategic moves and developments
11.4.DEEZER
11.4.1.Company overview
11.4.2.Key Executives
11.4.3.Company snapshot
11.4.4.Product portfolio
11.4.5.Key strategic moves and developments
11.5.IHEARTRADIO
11.5.1.Company overview
11.5.2.Key Executives
11.5.3.Company snapshot
11.5.4.Operating business segments
11.5.5.Product portfolio
11.5.6.Business performance
11.5.7.Key strategic moves and developments
11.6.NETEASE, INC. (NETEASE CLOUD MUSIC)
11.6.1.Company overview
11.6.2.Key Executives
11.6.3.Company snapshot
11.6.4.Operating business segments
11.6.5.Product portfolio
11.6.6.R&D Expenditure
11.6.7.Business performance
11.6.8.Key strategic moves and developments
11.7.PANDORA MEDIA, LLC.
11.7.1.Company overview
11.7.2.Key Executives
11.7.3.Company snapshot
11.7.4.Operating business segments
11.7.5.Product portfolio
11.7.6.R&D Expenditure
11.7.7.Business performance
11.7.8.Key strategic moves and developments
11.8.SPOTIFY AB
11.8.1.Company overview
11.8.2.Key Executives
11.8.3.Company snapshot
11.8.4.Operating business segments
11.8.5.Product portfolio
11.8.6.R&D Expenditure
11.8.7.Business performance
11.8.8.Key strategic moves and developments
11.9.TENCENT MUSIC ENTERTAINMENT
11.9.1.Company overview
11.9.2.Key Executives
11.9.3.Company snapshot
11.9.4.Product portfolio
11.9.5.R&D Expenditure
11.9.6.Business performance
11.9.7.Key strategic moves and developments
11.10.TIDAL
11.10.1.Company overview
11.10.2.Key Executives
11.10.3.Company snapshot
11.10.4.Product portfolio
11.10.5.Key strategic moves and developments
LIST OF TABLES
TABLE 01.GLOBAL ONLINE MUSIC STREAMING, BY SERVICE, 2019–2027 ($MILLION)
TABLE 02.ONLINE MUSIC STREAMING MARKET FOR ON-DEMAND STREAMING, BY REGION, 2019–2027 ($MILLION)
TABLE 03.ONLINE MUSIC STREAMING MARKET FOR LIVE STREAMING, BY REGION, 2019–2027 ($MILLION)
TABLE 04.GLOBAL ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 05.ONLINE MUSIC STREAMING MARKET FOR SUBSCRIPTION, BY REGION, 2019–2027 ($MILLION)
TABLE 06.ONLINE MUSIC STREAMING MARKET FOR NON-SUBSCRIPTION, BY REGION, 2019–2027 ($MILLION)
TABLE 07.GLOBAL ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 08.ONLINE MUSIC STREAMING MARKET FOR APP, BY REGION, 2019–2027 ($MILLION)
TABLE 09.ONLINE MUSIC STREAMING MARKET FOR BROWSER, BY REGION, 2019–2027 ($MILLION)
TABLE 10.GLOBAL ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 11.ONLINE MUSIC STREAMING MARKET FOR INDIVIDUAL, BY REGION, 2019–2027 ($MILLION)
TABLE 12.ONLINE MUSIC STREAMING MARKET FOR COMMERCIAL, BY REGION, 2019–2027 ($MILLION)
TABLE 13.GLOBAL ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 14.ONLINE MUSIC STREAMING MARKET FOR AUDIO, BY REGION, 2019–2027 ($MILLION)
TABLE 15.ONLINE MUSIC STREAMING MARKET FOR VIDEO, BY REGION, 2019–2027 ($MILLION)
TABLE 16.GLOBAL ONLINE MUSIC STREAMING MARKET, BY REGION, 2019–2027 ($MILLION)
TABLE 17.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 18.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 19.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 20.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 21.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 22.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 23.U.S. ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 24.U.S. ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 25.U.S. ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 26.U.S. ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 27.U.S. ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 28.CANADA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 29.CANADA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 30.CANADA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 31.CANADA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 32.CANADA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 33.MEXICO ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 34.MEXICO ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 35.MEXICO ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 36.MEXICO ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 37.MEXICO ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 38.EUROPE ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 39.EUROPE ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 40.EUROPE ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 41.EUROPE ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 42.EUROPE ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 43.EUROPE ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 44.UK ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 45.UK ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 46.UK ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 47.UK ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 48.UK ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 49.GERMANY ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 50.GERMANY ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 51.GERMANY ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 52.GERMANY ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 53.GERMANY ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 54.FRANCE ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 55.FRANCE ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 56.FRANCE ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 57.FRANCE ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 58.FRANCE ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 59.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 60.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 61.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 62.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 63.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 64.ITALY ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 65.ITALY ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 66.ITALY ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 67.ITALY ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 68.ITALY ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 69.SPAIN ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 70.SPAIN ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 71.SPAIN ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 72.SPAIN ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 73.SPAIN ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 74.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 75.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 76.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 77.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 78.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 79.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 80.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 81.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 82.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 83.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 84.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 85.CHINA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 86.CHINA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 87.CHINA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 88.CHINA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 89.CHINA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 90.JAPAN ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 91.JAPAN ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 92.JAPAN ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 93.JAPAN ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 94.JAPAN ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 95.INDIA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 96.INDIA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 97.INDIA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 98.INDIA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 99.INDIA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 100.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 101.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 102.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 103.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 104.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 105.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 106.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 107.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 108.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 109.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 110.REST OF ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 111.REST OF ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 112.REST OS ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 113.REST OF ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 114.REST OF ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 115.LAMEA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 116.LAMEA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 117.LAMEA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 118.LAMEA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 119.LAMEA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 120.LAMEA ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 121.LATIN AMERICA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 122.LATIN AMERICA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 123.LATIN AMERICA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 124.LATIN AMERICA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 125.LATIN AMERICA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 126.MIDDLE EAST ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 127.MIDDLE EAST ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 128.MIDDLE EAST ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 129.MIDDLE EAST ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 130.MIDDLE EAST ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 131.AFRICA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 2019–2027 ($MILLION)
TABLE 132.AFRICA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 133.AFRICA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 2019–2027 ($MILLION)
TABLE 134.AFRICA ONLINE MUSIC STREAMING MARKET, BY END-USER, 2019–2027 ($MILLION)
TABLE 135.AFRICA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 2019–2027 ($MILLION)
TABLE 136.AMAZON, INC. (AMAZON MUSIC): KEY EXECUTIVES
TABLE 137.AMAZON, INC. (AMAZON MUSIC): COMPANY SNAPSHOT
TABLE 138.AMAZON, INC. (AMAZON MUSIC): PRODUCT PORTFOLIO
TABLE 139.AMAZON, INC. (AMAZON MUSIC): NET SALES, 2018–2020 ($MILLION)
TABLE 140.AMAZON, INC. (AMAZON MUSIC): KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 141.ANGHAMI: KEY EXECUTIVES
TABLE 142.ANGHAMI: COMPANY SNAPSHOT
TABLE 143.ANGHAMI: PRODUCT PORTFOLIO
TABLE 144.ANGHAMI: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 145.APPLE, INC. (APPLE MUSIC): KEY EXECUTIVES
TABLE 146.APPLE, INC. (APPLE MUSIC): COMPANY SNAPSHOT
TABLE 147.APPLE, INC. (APPLE MUSIC): OPERATING SEGMENTS
TABLE 148.APPLE, INC. (APPLE MUSIC): PRODUCT PORTFOLIO
TABLE 149.APPLE, INC. (APPLE MUSIC): R&D EXPENDITURE, 2018–2020 ($MILLION)
TABLE 150.APPLE, INC. (APPLE MUSIC): NET SALES, 2018–2020 ($MILLION)
TABLE 151.APPLE, INC. (APPLE MUSIC): KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 152.DEEZER: KEY EXECUTIVES
TABLE 153.DEEZER: COMPANY SNAPSHOT
TABLE 154.DEEZER: PRODUCT PORTFOLIO
TABLE 155.DEEZER: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 156.IHEARTRADIO: KEY EXECUTIVES
TABLE 157.IHEARTRADIO: COMPANY SNAPSHOT
TABLE 158.IHEARTRADIO: OPERATING SEGMENTS
TABLE 159.IHEARTRADIO: PRODUCT PORTFOLIO
TABLE 160.IHEARTRADIO: NET SALES, 2017–2019 ($MILLION)
TABLE 161.IHEARTRADIO: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 162.NETEASE, INC. (NETEASE CLOUD MUSIC): KEY EXECUTIVES
TABLE 163.NETEASE, INC. (NETEASE CLOUD MUSIC): COMPANY SNAPSHOT
TABLE 164.NETEASE, INC. (NETEASE CLOUD MUSIC): OPERATING SEGMENTS
TABLE 165.NETEASE, INC. (NETEASE CLOUD MUSIC): PRODUCT PORTFOLIO
TABLE 166.NETEASE, INC. (NETEASE CLOUD MUSIC): R&D EXPENDITURE, 2017–2019 ($MILLION)
TABLE 167.NETEASE, INC. (NETEASE CLOUD MUSIC): NET SALES, 2017–2019 ($MILLION)
TABLE 168.NETEASE, INC. (NETEASE CLOUD MUSIC): KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 169.PANDORA MEDIA, LLC.: KEY EXECUTIVES
TABLE 170.PANDORA MEDIA, LLC.: COMPANY SNAPSHOT
TABLE 171.PANDORA MEDIA, LLC.: OPERATING SEGMENTS
TABLE 172.PANDORA MEDIA, LLC.: PRODUCT PORTFOLIO
TABLE 173.PANDORA MEDIA, LLC.: R&D EXPENDITURE, 2018–2020 ($MILLION)
TABLE 174.PANDORA MEDIA, LLC.: NET SALES, 2018–2020 ($MILLION)
TABLE 175.PANDORA MEDIA, LLC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 176.SPOTIFY AB: KEY EXECUTIVES
TABLE 177.SPOTIFY AB: COMPANY SNAPSHOT
TABLE 178.SPOTIFY AB: OPERATING SEGMENTS
TABLE 179.SPOTIFY AB: PRODUCT PORTFOLIO
TABLE 180.SPOTIFY AB: R&D EXPENDITURE, 2018–2020 ($MILLION)
TABLE 181.SPOTIFY AB: NET SALES, 2018–2020 ($MILLION)
TABLE 182.SPOTIFY AB: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 183.TENCENT MUSIC ENTERTAINMENT: KEY EXECUTIVES
TABLE 184.TENCENT MUSIC ENTERTAINMENT: COMPANY SNAPSHOT
TABLE 185.TENCENT MUSIC ENTERTAINMENT: PRODUCT PORTFOLIO
TABLE 186.TENCENT MUSIC ENTERTAINMENT: R&D EXPENDITURE, 2018–2020 ($MILLION)
TABLE 187.TENCENT MUSIC ENTERTAINMENT: NET SALES, 2018–2020 ($MILLION)
TABLE 188.TENCENT MUSIC ENTERTAINMENT: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 189.TIDAL: KEY EXECUTIVES
TABLE 190.TIDAL: COMPANY SNAPSHOT
TABLE 191.TIDAL: PRODUCT PORTFOLIO
TABLE 192.TIDAL: KEY STRATEGIC MOVES AND DEVELOPMENTS
LIST OF FIGURES
FIGURE 01.KEY MARKET SEGMENTS
FIGURE 02.GLOBAL ONLINE MUSIC STREAMING MARKET
FIGURE 03.TOP INVESTMENT POCKETS
FIGURE 04.ONLINE MUSIC STREAMING MARKET: SEGMENTATION
FIGURE 05.LOW BARGAINING POWER OF SUPPLIERS
FIGURE 06.MODERATE-HIGH BARGAINING POWER OF BUYERS
FIGURE 07.MODERATE-HIGH THREAT OF NEW ENTRANTS
FIGURE 08.LOW THREAT OF SUBSTITUTES
FIGURE 09.HIGH INTENSITY OF COMPETITIVE RIVALRY
FIGURE 10.GLOBAL ONLINE MUSIC STREAMING MARKET: DRIVERS, RESTRAINTS, AND OPPORTUNITIES, 2019–2027
FIGURE 11.ONLINE MUSIC STREAMING MARKET: PARENT-PEER MARKET OUTLOOK
FIGURE 12.GLOBAL ONLINE MUSIC STREAMING MARKET SHARE, BY SERVICE, 2019–2027
FIGURE 13.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR ON-DEMAND STREAMING ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 14.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR LIVE STREAMING ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 15.GLOBAL ONLINE MUSIC STREAMING MARKET SHARE, BY REVENUE MODEL, 2019–2027
FIGURE 16.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR SUBSCRIPTION ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 17.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR NON-SUBSCRIPTION ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 18.GLOBAL ONLINE MUSIC STREAMING MARKET SHARE, BY PLATFORM, 2019–2027
FIGURE 19.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR APP ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 20.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR BROWSER ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 21.GLOBAL ONLINE MUSIC STREAMING MARKET SHARE, BY END-USER, 2019–2027
FIGURE 22.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR INDIVIDUAL ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 23.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR COMMERCIAL ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 24.GLOBAL ONLINE MUSIC STREAMING MARKET SHARE, BY CONTENT TYPE, 2019–2027
FIGURE 25.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR AUDIO ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 26.COMPARATIVE SHARE ANALYSIS OF ONLINE MUSIC STREAMING MARKET FOR VIDEO ($MILLION), BY COUNTRY, 2019 & 2027 (%)
FIGURE 27.GLOBAL ONLINE MUSIC STREAMING MARKET SHARE, BY REGION, 2019–2027
FIGURE 28.U.S. ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 29.CANADA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 30.MEXICO ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 31.UK ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 32.GERMANY ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 33.FRANCE ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 34.NETHERLANDS ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 35.ITALY ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 36.SPAIN ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 37.REST OF EUROPE ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 38.CHINA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 39.JAPAN ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 40.INDIA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 41.SOUTH KOREA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 42.AUSTRALIA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 43.REST OF ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 44.LATIN AMERICA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 45.MIDDLE EAST ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 46.AFRICA ONLINE MUSIC STREAMING MARKET REVENUE, 2019–2027 ($MILLION)
FIGURE 47.TOP WINNING STRATEGIES, BY YEAR, 2017–2020*
FIGURE 48.TOP WINNING STRATEGIES, BY DEVELOPMENT, 2017–2020* (%)
FIGURE 49.TOP WINNING STRATEGIES, BY COMPANY, 2017–2020*
FIGURE 50.PRODUCT MAPPING OF TOP 10 KEY PLAYERS
FIGURE 51.COMPETITIVE DASHBOARD OF TOP 10 KEY PLAYERS
FIGURE 52.COMPETITIVE HEATMAP OF TOP 10 KEY PLAYERS
FIGURE 53.AMAZON, INC. (AMAZON MUSIC): NET SALES, 2018–2020 ($MILLION)
FIGURE 54.AMAZON, INC. (AMAZON MUSIC): REVENUE SHARE BY REGION, 2020 (%)
FIGURE 55.APPLE, INC. (APPLE MUSIC): R&D EXPENDITURE, 2018–2020 ($MILLION)
FIGURE 56.APPLE, INC. (APPLE MUSIC): NET SALES, 2018–2020 ($MILLION)
FIGURE 57.APPLE, INC. (APPLE MUSIC): REVENUE SHARE BY SEGMENT, 2020 (%)
FIGURE 58.APPLE, INC. (APPLE MUSIC): REVENUE SHARE BY REGION, 2020 (%)
FIGURE 59.IHEARTRADIO: NET SALES, 2017–2019 ($MILLION)
FIGURE 60.IHEARTRADIO: REVENUE SHARE BY SEGMENT, 2019 (%)
FIGURE 61.NETEASE, INC. (NETEASE CLOUD MUSIC): R&D EXPENDITURE, 2017–2019 ($MILLION)
FIGURE 62.NETEASE, INC. (NETEASE CLOUD MUSIC): NET SALES, 2017–2019 ($MILLION)
FIGURE 63.NETEASE, INC. (NETEASE CLOUD MUSIC): REVENUE SHARE BY SEGMENT, 2019 (%)
FIGURE 64.PANDORA MEDIA, LLC.: R&D EXPENDITURE, 2018–2020 ($MILLION)
FIGURE 65.PANDORA MEDIA, LLC.: NET SALES, 2018–2020 ($MILLION)
FIGURE 66.PANDORA MEDIA, LLC.: REVENUE SHARE BY SEGMENT, 2020 (%)
FIGURE 67.SPOTIFY AB: R&D EXPENDITURE, 2018–2020 ($MILLION)
FIGURE 68.SPOTIFY AB: NET SALES, 2018–2020 ($MILLION)
FIGURE 69.SPOTIFY AB: REVENUE SHARE BY SEGMENT, 2020 (%)
FIGURE 70.SPOTIFY AB: REVENUE SHARE BY REGION, 2020 (%)
FIGURE 71.TENCENT MUSIC ENTERTAINMENT: R&D EXPENDITURE, 2018–2020 ($MILLION)
FIGURE 72.TENCENT MUSIC ENTERTAINMENT: NET SALES, 2018–2020 ($MILLION)
FIGURE 73.TENCENT MUSIC ENTERTAINMENT: REVENUE SHARE BY SEGMENT, 2019 (%)
Increase in penetration of 5G, artificial intelligence (AI), and machine learning is expected to positively impact the growth of the global online music streaming market. The 5G technology is expected to provide high speed data – 10 times faster than the 4G. Amazon introduced its new Music HD Service subjected to the arrival of 5G technology. This new service of Amazon will provide lossless audio streaming and downloads to consumers in the UK, the U.S., Germany, and Japan. Advanced personalization on the online music streaming platforms is highly expected by the listeners. The leading players such as Apple Music and Spotify uses AI and machine learning technology for offering advanced personalization to its customers. The AI and machine learning technologies record the listening habits of consumers, and based on their music and genre preferences, provide personalized playlists to listeners. Therefore, leading players are focusing on the consumer oriented strategies by using 5G, AI, and machine learning technologies.
Moreover, the copyright infringement remains the major concern in the online music streaming industry. Copyright infringement refers to the unauthorized use of copyrighted music without the permission, thereby infringing the copyright holder’s right to reproduce, right to distribute, and right to perform. One common example of copyright infringement is the unauthorized use of a copyrighted music/song in a video. In this digital era, the sharing of data through unauthorized networks has become one of the most common activities over the internet. These unauthorized networks are called peer-to-peer (P2P) networks, and some examples of P2P websites include Frostwire, MP3 ripper, and BeeMP3. These P2P networks are constantly finding new ways to work round the legal barriers. The music traded on these P2P networks is not licensed by the record labels and the copyright holders. Hence, record labels suffer losses as they have no chances of earning if the music developed by them is traded on these P2P unauthorized networks. According to the International Federation of the Phonographic Industry (IFPI), around 23% of the respondents that IFPI reached out research purpose, uses illegal stream ripping services and it is one of the leading form of music piracy. This is hindering the growth of the global online music streaming market.
A. The global online music streaming market size was valued at $12,831.2 million in 2019, and is estimated to reach $24,711.3 million by 2027, registering a CAGR of 9.8% from 2021 to 2027. The growing popularity of online music streaming services is expected to boost the market during the forecast period.
A. The forecast period in the global online music streaming market is 2021 to 2027 and the base year is considered to be 2019. The global online music streaming market size was valued at $12,831.2 million in 2019, and is estimated to reach $24,711.3 million by 2027, registering a CAGR of 9.8% from 2021 to 2027.
A. The base year is considered to be 2019. The forecast period in the global online music streaming market is 2021 to 2027. The global online music streaming market size was valued at $12,831.2 million in 2019, and is estimated to reach $24,711.3 million by 2027, registering a CAGR of 9.8% from 2021 to 2027.
A. The players operating in the global online music streaming market have adopted various developmental strategies to expand their market share, exploit the online music streaming market opportunities, and increase profitability in the market. The key players profiled in this report include Amazon, Inc., Anghami, Apple, Inc., Deezer, iHeartRadio, NetEase, Inc., Pandora Media, LLC., Spotify AB, Tencent Music Entertainment, and Tidal.
A. The leading market players profiled in the global online music streaming report include Amazon, Inc., Anghami, Apple, Inc., Deezer, iHeartRadio, NetEase, Inc., Pandora Media, LLC., Spotify AB, Tencent Music Entertainment, and Tidal.
A. The development of artificial intelligence, machine learning, and 5G technologies are the factors that are expected to fuel the online music streaming market. Moreover, the massive investment by the record labels will boost the market growth in the next few years in the global online music streaming market.
A. The growing adoption of online music streaming services, wide scale penetration of internet, growing number of smartphone users, rising disposable income, ceaseless love for music among the global population are the driving factors. Major restraint of the market include the piracy and threat of database security breach. The introduction of 5G and artificial intelligence will offer new opportunities to the players.
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